REMINDER: The Australian Showcase is Saturday the 23rd at 4.00pm. Tickets will most likely sell out so make sure you get your ticket secured.
International Program #1
The first twelve assorted films in the running for Best of the Festival. Mostly consisting of European and Asian films, the first international program gave us viewers a good taste of what is to be expected from the films up for the grand prize. What is that expectation? Complete and utter randomness. CGI, scratch, cel, cut-out, stop-motion; it was all there!
Here are my top picks for this screening:
About Killing the Pig/ Dell’ammazare Il Maiale (Simone Massi, 2011) – Very dark charcoal-looking animation with little colour but plenty of style.
My… My (Lei Lei, 2011) Heavily inspired by video games, a man chases a moose-man through a glitch-ridden world.
Auntie Nettle (Svetlana Zueva, 2011) Russian cut-out animation with almost an expressionist look about it. A haunting little film; like the nightmare of The Secret Garden, complete with piercing string music and grotesque visuals. Arguably the best film of the session.
How to Eat Your Apple (Erick Oh, 2011) – Exactly as it sounds, but with a bizarre, humorous twist.
Focus on Belgium #1
Before this session I didn’t even know Belgian animation existed. I’m sure glad I gave it a go. The session consisted of a fine mixture of historic and contemporary Belgian animation. From this collection of films there seems to be a pattern or theme with Belgian animation – as cheerful as a film may seem, it will inevitably have a negative conclusion.
Un Voyage Imprevu (Albert Fromenteau, 1944) – Proof that Disney set the blueprints of animation to the entire world, this film from the 40s resembles the forest setting and singing animals of the American animation powerhouse. The key difference is this film is a little crazier than Disney and didn’t have much of a story to go with it.
Goldframe (Raoul Servais, 1969) – Hilarious tongue-in-cheek film about a filmmaker, Mr. Golframe, who must be the first to produce a film in 270mm. He attempts this by dancing off against his silhouette.
To Speak Or Not To Speak (Raoul Servais, 1970) – What begins as a humorous piece of social commentary mohps into a straight-faced and blatantly political piece of propaganda.
Compartments Or “I Am Not A Monster” (Hannah Letaif, 2011) – Totally insane animation that grotesquely exaggerates everyday tasks. Will be repeated at the Late Night Bizarre session.